| Name | Make | Model | ↑ Mount | Format | Type | Condition |
|---|---|---|---|---|---|---|
| Pentax MZ-M | Pentax | MZ-M | Pentax K | 35mm Film | Film SLR | Good to Excellent |
| Minolta Dynax 700si | Minolta | Dynax 700si | Minolta A | 35mm Film | Film SLR | Good to Excellent |
| Minolta Dynax 505si | Minolta | Dynax 505si | Minolta A | 35mm Film | Film SLR | Good to Excellent |
| Asahi Pentax Spotmatic F | Asahi Pentax | Spotmatic F | M42 | 35mm Film | Film SLR | Good to Excellent |
| Zorki 4 | KMZ | Zorki 4 | LTM M39 | 35mm Film | Film Rangefinder | Good |
| FED 4 | FED | FED 4 | LTM M39 | 35mm Film | Film Rangefinder | Good |
| FED 2 | FED | FED 2 | LTM M39 | 35mm Film | Film Rangefinder | Good |
| Yashica AW-mini AF | Yashica (Kyocera) | AW-mini AF | Fixed | 35mm Film | Film Compact | Good |
| Pentax Espio 140 | Pentax | Espio 140 | Fixed | 35mm Film | Film Compact | Good to Excellent |
| Nikon Lite Touch Zoom 130ED | Nikon | Lite Touch Zoom 130ED | Fixed | 35mm Film | Film Compact | Good to Excellent |
| Agfa Optima 1035 Sensor | Agfa | Optima 1035 Sensor | Fixed | 35mm Film | Film Compact | Good to Excellent |
| Voigtländer Vito CS | Voigtländer | Vito CS | Fixed | 35mm Film | Film Compact | Good to Excellent |
| Vivitar 35EF | Vivitar | 35EF | Fixed | 35mm Film | Film Compact | Good to Excellent |
| Kershaw Raven | Kershaw (Soho Ltd, London) | Raven | Fixed | 120 Roll Film (6x9) | Film Folder | Good to Excellent |
| Voigtländer Vito CLR | Voigtländer | Vito CLR | Fixed | 35mm Film | Film Compact | Good to Excellent |
| Rolleicord | Rollei | Rolleicord | Fixed | Medium Format Film | Film TLR | Good |
| Rollei 35S | Rollei | 35S | Fixed | 35mm Film | Film Compact | Good |
| Canon EOS 1000F | Canon | EOS 1000F | Canon EF | 35mm Film | Film SLR | Good to Excellent |
Classic Leica clone. Again I have taken some great shots with this (Jupiter 8).
The Zorki 4 is a Soviet rangefinder camera produced by KMZ (Krasnogorsk Mechanical Plant) from 1956 to 1973, making it one of the longest produced Soviet cameras. It is based on the pre-war Leica II design and accepts L39 screw mount lenses. The Zorki 4 is well built and reliable, and typically comes paired with the Jupiter-8 50mm f/2 lens — itself a copy of the pre-war Zeiss Sonnar. A capable and characterful film camera.
The FED 2 is a Soviet rangefinder produced in Kharkov, Ukraine from 1955 to 1970. Like the Zorki, it is derived from the Leica II design and accepts L39 mount lenses. The FED factory was originally established in a children's labour commune, giving the cameras their name — Felix Edmundovich Dzerzhinsky, the founder of the Soviet secret police.
It's a refined and pleasant rangefinder to use, with a longer rangefinder base than the FED 1 for improved focus accuracy.
Also relatively small and feel good to use.
The FED 4 is a later Soviet rangefinder produced from 1964 to 1980, featuring a built-in selenium light meter — unusual for Soviet cameras of the era. The meter is often no working or unreliable on most examples - mine is fine.
The camera itself remains a solid shooter. It retains the L39 mount compatible with the Jupiter and Industar lenses in the collection.
A more refined camera than its predecessors with an improved viewfinder and rangefinder.
The Rollei 35S is a remarkable feat of engineering — a fully mechanical 35mm camera that folds down to fit in a shirt pocket, yet features a high quality Sonnar 40mm f/2.8 lens. Made in Singapore from 1974, it is one of the smallest full frame 35mm cameras ever produced. Fully manual with zone focusing, it rewards a thoughtful approach to photography. The Sonnar lens produces beautiful, sharp images with pleasing rendering.
I replaced the battery with an adapter that supposedly changes the voltage - this worked well in the early days but now I am not so sure and use it with a shoe mounted light meter or my Gossen 6
Again - another favourite - A twin lens reflex camera. I have the add on lenses for close up etc.
The Rolleicord is a twin lens reflex medium format camera produced by Rollei in Germany.
As the more affordable sibling to the famous Rolleiflex, it shares the same fundamental design — a waist-level viewfinder with a taking lens below and a viewing lens above, producing 6x6cm negatives on 120 film. Shooting on the Rolleicord is a meditative experience, the waist-level finder encouraging a different perspective and more considered composition than eye-level cameras.
3.5 as opposed to the 2.8 of the 'flex.